Josh Berman/Aram Shelton/
Weasel Walter - Last Distractions CD
-R
(Single Speed Music)

10.00 postage paid in the US/
11.00 Canada/14.00 europe/16.00
japan
PREVIEW BELOW!


High speed interplay on this almost 80 minute long studio session featuring drums, cornet, soprano saxophone and bass clarinet. Total communcation captured with warm, focused clarity. This is the sound of pure, uncut improvisation!

Back the early nineties trumpeter Josh Berman and drummer Weasel Walter - both barely out of their teens - briefly shared an apartment in Chicago with a bunch of rowdy, noise making "non-musicians". The high point of this living situation came one evening when the roommates smashed all the glass in the house out in a fit of Dionysian frenzy! After leaving the crash pad without their security deposits, the two went their musical separate ways. Berman would go on to become a prominent player in the Chicago improvised music/jazz scene and Walter founded the notorious, long-running punk jazz unit the Flying Luttenbachers before relocating to Oakland, CA in 2003. 
 
During the late nineties reedist Aram Shelton came to Chicago and soon met Berman. In an odd parallel, their first musical meeting happened in a space that was being demolished to be rebuilt into a condo. Perhaps revealing a new level of maturity, Berman and Shelton had no hand in the demolition! By 2005 Shelton needed a change of pace and headed towards California.
 
Although they barely crossed paths in Chicago during their geographical intersection, Aram Shelton and Weasel Walter began collaborating on the West Coast, resulting in Shelton's appearance on Walter's 2006 "Revolt Music" CD. In 2008 Berman made a trip out to Oakland to play some concerts and Shelton suggested that Josh play with Weasel again for the first time since 1991.  One afternoon the three entered a recording studio and created this album which contains the entirety of the music made that day. These spontaneously structured, fast-paced dialogues move from high energy extended technique mash ups to open spaced textural noise.  The acoustic timbres of the instruments are raw, warm and focused. This album is also the first recorded document of Shelton on soprano saxophone and proves that you needn't break anything to have a good time.

Berman/Shelton/Walter live in San Francisco, 7/2009